Skip to main content

The Girls of Slender Means

Royal Lyceum Theatre, Edinburgh

Four stars

 

Take five girls. Put them in the same house together with only one borrowed designer dress to share between them in a world where dreams of poetry, dancing and clothes are on ration, and everyday desires look set to explode. So it goes in Gabriel Quigley’s appealingly breezy new adaptation of Muriel Spark’s 1973 novella, brought to life with a busy flourish in Roxana Silbert’s expansive production.

 

Things begin in the 1960s, when glossy magazine high-flyer Jane Wright discovers the death of posh boy poet Nicholas Farringdon. This provokes Jane to rewind to 1945, when she, Selina, Pauline, Anne and Jo were living in the May of Teck Club. This was a run down Kensington boarding house set up for ‘the social protection of ladies of slender means below the age of thirty years’ who wished to pursue some vaguely defined occupation. 

 

Half a century after it was published, Spark’s study of young women on the verge in a world where post World War Two austerity is about to be blown away by the new optimism afforded by a Labour victory at the 1945 General Election is an elegantly understated mix of light and shade. 

 

This is partly down to the show’s bright young cast, led by Molly Vevers as Scots émigré Jane, alongside Julia Brown as Selina, Seamus Dillane as Nicholas, Amy Kennedy as Anne, Molly McGrath as Jo and Shannon Watson as Pauline. But it is also to do with the way the women burl through Quigley’s script with an uneasy brio heightened by Jessica Worrall’s design whizzing its way between the confines of the house itself and the spaces beyond that enable the girls to breathe.

 

Underlying the show’s playful front is a deep set seriousness that points up the long-term side effects of bottled up trauma. Like the world around them, these young women have been blitzed. As the tragedy that follows sees them crawling from the wreckage to become different shades of successful, the bond between those who make it is etched with pain in a fascinating attempt to take Spark's story off the page with a fresh sense of invention worthy of its source. 


The Herald, April 19th 2024

 

ends

 

 

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) ...