Before Sue Glover wrote Bondagers, books on the subject of female farm workers in the nineteenth century seemed to be pretty thin on the ground. Once Glover's play charting six women's travails through the seasons became a hit in Ian Brown's original production for the Traverse Theatre in 1991, however, everything changed. The play's emotional landscape and lyrical largesse tapped into something that audiences lapped up, and Brown's production was revived for bigger theatres and toured to Canada. Suddenly there seemed to be a welter of literature on the subject, while the play itself was recently named as one of the twelve key Scottish plays written between 1970 and 2010. Twenty-three years on since its premiere, and more than a decade since it was last produced on home soil, Bondagers comes home to roost in Lu Kemp's new production at the Royal Lyceum Theatre in Edinburgh. Even with such an extended absence, Glover remains close to the play. “It's difficult
An archive of arts writing by Neil Cooper. Effete No Obstacle.