The inspiration behind Douglas Maxwell's new play won't get to see it performed when it opens at the Royal Lyceum Theatre in Edinburgh this weekend. Nor did Maxwell's old friend Bob see it when it was performed by acting students at the Royal Conservatoire of Scotland in Glasgow last year. Without Bob, however, Charlie Sonata wouldn't exist. For Maxwell and everyone else left behind, the play is the only type of reunion they can ever have now. If Bob was still around, well, even though he'd cleaned up his act and settled down, they might not even have that. “Bob died before I could show the play to him,” says Maxwell. “I wanted to write something in which he was this hero, and we could have a laugh about it, but we did the student production and I hadn't told him, and I don't know why. Even when David Greig took the play for the Lyceum, I still didn't tell him, and then it was too late, but his sister read the script, and she's given the green li
An archive of arts writing by Neil Cooper. Effete No Obstacle.